Skip to main content

Is a Work of Art Ever Finished?

As I read and re-read my "finished" proofs of the three Osiris Plan novels, I am struck by the incessant urge to "re-touch" and re-phrase, to improve, even to add little details that I "forgot" to include. This is an illustration of how difficult it is to "let go" of a piece of art.
     Though the "giving birth" analogy is not unfounded, I do not think that a piece of art qualifies as an example of a living breathing progeny; you can't really go back and change or undo an event or effect of your influence on a person like you can with a story rendered "permanent" onto paper.
     As a person with an athletic background, the haunting of "if onlys" and "should haves" is familiar to me. And yet, even with a work that can still be retouched and modified--as these books can--there comes a time where one has to--where one wants to--let go and move on. I have other projects to get to, more creating to do. But Amazon's wonderful CreateSpace service allows the author/artist to return to a "finished" product and change or edit content or artwork...forever! It is a gift that I never thought possible--a gift as already I've discovered multiple "mistakes" or awkwardnesses that I want to go back and change. So, I am! It's so wonderful to be able to do this! Thank you so much, modern digital Internet world, for allowing this fairly fluid process to continue to unfold and adapt.
     I cannot imagine the inner turmoil and consternation writer/authors of the former age had to put up with. I try to put myself in the shoes--into the mind--of Charles Dickens or Feodor Doestoevsky or Herman Melville as their latest installments--often edited by "professionals" at their printing point or publication house--reached the public eye--reached their own eyes. Now I understand why so many actors try to avoid watching the films or shows that they're in: the artist is rarely content with their "finished" product, rarely satisfied that they might have achieved "perfection" with this latest expression of their talents. And the fact that for every William Faulkner or Umberto Eco there are a thousand Drew Fishers leaves one simply unable to puff one's chest. I try to find satisfaction with my work, contentment with my meagre ability to use language to tell a story, but then there are always one's heroes to continue to compare oneself to. I find myself able to enjoy and be proud of the achievement of the expression of my story.
     Though people will surely find similarities in my characters or themes to works of others, I am humbled by the fact that I still enjoy my own stories--I still get emotional when I read my books; even in the umpteenth perusal I find myself getting engaged, choking up at the emotional scenes, laughing at the subtleties of humor, feeling surprised at a "clever" twist of words. Writing is fun. Even when the work is "finished." Whatever that means…   

Comments

Popular posts from this blog

The Architecture of the Buildings of Brig-Wallis Prep School, Part 4: Aubrey Hall

The Brig-Wallis Preparatory School for Boys campus's southernmost building, Aubrey Hall, was built over the site on which the pre-existing residence quarters for the Jesuit priests, their staff and animals, stood. With the purchase of the two properties on Polenstrasse late in 1806, it was quickly decided to raze these southernmost buildings and use Merchant House for the small school's initial residency. Throughout the first half of 1807, while debris and remnants were being cleared from the property, competing architectural design ideas were being commissioned. By June, a comprehensive design had been approved. The new campus would incorporate three new, inter-connected buildings  to be constructed to the south of, and connected to, both Merchant House and the Chapel. A general contractor had been hired, and various construction companies--Swiss, Italian, French, and German--had been hired to perform the task.      It should here be put forward the fact that the O...

The Architecture of the Buildings of Brig-Wallis Prep School, Part 3: Merchant House

Merchant House At the northwestern corner of the Brig-Wallis Preparatory School campus sits the wing of the Quad known as Merchant House. During the 17th and 18th Centuries, this part of the campus grounds had served a local merchant as both business site (with storefront) and family residence. According to the building's original functionality, the ground floor was used to conduct business of the day (there were, at various times, multiple retail stores on the ground floor). A spacious, high-ceilinged first floor contained the merchant family's living quarters. It included kitchens, living area, library, and master bedrooms. A second floor, beneath the rafters of the roof line, contained unheated, unplumbed, dormitory-style sleeping areas for the children and guests. Beneath the ground floor lay a fully functional basement which was used for dry storage, both personal and mercantile. The basement had below-ground road-side access near its west end. The west end is also where...

The Architecture of the Buildings of Brig-Wallis Prep School, Part 5: Châtelaine Hall

Châtelaine Hall was built in place of a row of open-ended stalls that had been built into the south-side hillside slope by the merchant family that had first occupied and built upon the property in the mid-eighteenth century. Before this time, the low-grade, slowly-ascending grassy slopes of the south-facing hills had been farmed for feed and grain for the Jesuit priests' beasts as well as for their grains to make their own bread, gruels, and mueslis.      When the Order purchased the properties from the Jesuit priests and the neighboring merchant family in 1806, their intention from the beginning was to construct a quadrangular style complex of buildings in which to house the boys and staff training school.      The continuation of the in-floor piping system used in Facilities and Aubrey Halls was rejected with regard to Chatelaine Hall due to the fear that warmth could not be maintained over such a length (over 40 meters). Years later, in 1957, a separa...